Sandra Cinto feels a connection to the act of drawing, but does not limit herself to a single medium or to two-dimensional surfaces. Often using existing architecture as a kind of canvas from which her narratives emerge, she creates worlds that merge myth, dream, and reality. Her menagerie of imagery often wanders onto nearby furniture, incorporating found objects to create an immersive environment in which domesticity meets Surrealism. In her work, Cinto culls inspiration from historical influences and integrates it into a commentary on contemporary society.
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